"I participate in every department of my cinema, costumes included. Otherwise I wouldn't be making films," says Shekhar. "That Alexandra Byrne won an Oscar for the costumes is not a surprise at all. It's a richly-deserved award. Doing the costumes of Elizabeth and now the sequel, The Golden Age, isn’t the same thing as doing the clothes for contemporary dramas. Clothes are as much a character in Elizabeth as in Jodhaa Akbar, if you know what I mean," says Shekhar.

"In the first Elizabeth film, Cate Blanchett's clothes expressed innocence and love and vulnerability. In The Golden Age, the costumes had to take her from mortal to divine. The clothes were all part of a design that took the character to divinity. We even saw her in a night dress. There she had almost become a spirit."

About Cate Blanchett missing out on the Oscar for best actress Shekhar says, "I was a lot more disappointed when she didn't get it for the first part in 1998. This time I had a feeling Cate wouldn't get it. For a performance to be Oscar-worthy, it has to be a lot more 'in your face', like what Cate did by cross-dressing in I'm Not There, for which she was nominated in the Best Supporting-Actress category. When there are subtle nuances in the performance (like Cate's in The Golden Age), the jury doesn’t have the time to see it."

He expands on the pressures put on the jury. “The jury members have lots of films to see. And they're an aged lot. So, they look for overt signs of brilliance, like a physical disability. Very often, the Oscar isn't going to the performance, it's going to the character. Personally, I felt Cate Blanchett had a far more complicated character to play in the sequel," At the moment, Shekhar is location hunting for Paani. "I'm seriously into pre-production. I'm going around Mumbai taking shots of buildings and locations. There won't be any stars. Only newcomers in Paani."

 Courtesy: IndiaFM