The Indian cinegoers have been on a diet of stereotypical fares since the last few decades. Therefore, a theme that isn't formulaic could meet with diverse reactions. And this goes for Shukriya.
Shukriya tells the story of a tycoon Jindal [Anupam Kher], on the verge of celebrating his 60th birthday. The film begins with Jindal hearing strange voices. At first he thinks he's hallucinating. But it dawns upon him that he's receiving messages from the God of Death, who seems to forewarn him that his days are numbered and hence, he has very little time on his hands. Jindal has several incomplete tasks to accomplish. Among them is the inauguration of a hospital in memory of his deceased mother. When the hour arrives, Jindal talks to the God of Death about the predicament of being human. The God of Death decides to take human form and experience the wonders of being human. Jindal's death is deferred by four days, while the God of Death has four days to live. Jindal's daughter Sanam [Shriya Saran] meets an aspiring singer Ricky [Aftab Shivdasani] and sparks fly. They part. He is killed. Next morning, she is startled to find Ricky in their mansion. The God of Death now occupies the body of Ricky… Shukriya has an unconventional storyline.
Shukriya boasts of wonderful performances by the principal cast. Aftab Shivdasani handles a difficult role with remarkable ease and delivers a knockout performance. It underlines the fact that the young actor can deliver in serious roles as well. Shriya Saran is an actress to watch. She not only looks pretty and photogenic, but also enacts her part with amazing confidence. Anupam Kher is in form after a long, long time. He takes to his part like a seasoned player. Rati Agnihotri is first-rate. Handling an offbeat theme could prove one daunting task, but debutante director Anupam Sinha deserves extra browny points for handling the subject with sensitivity and dexterity. Shukriya is embellished with a strong musical score.
Courtesy: Taran Adarsh
Source: IndiaFm