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You are here ::: Galatta Talkies ::: Hindi Movies

Ugly Aur Pagli

Cast: Mallika Sherawat, Ranvir Shorey, Tinu Anand, Sushmita Mukherjee, Vihang Nayak, Bharati Achrekar, Manish Anand, Zeenat Aman, Payal Rahotgi, Sapna Bhavnani
Banner: Pritish Nandy Communications
Producer: Rangita Pritish Nandy, Pritish Nandy
Director: Sachin Khot
Cinematography: Somak Mukherjee
Music: Anu Malik
Editing: Hemal Kothari
Story / Writer: Anil Pandey
Review
 
Review

Ugly Aur Pagli is a bizarre and uncanny title. But catchy and attracts instant attention at the same time. It's for this reason that you expect Ugly Aur Pagli to be one wacky ride, what with the film promising 99 slaps and 1 kiss. 

Besides, post Pyaar Ke Side Effects, unconventional stories with unconventional casting only got an impetus. Since Ugly Aur Pagli comes from the same production house that delivered PKSE, you only expect the film to go a notch higher, or be at par higher. And that's where the film falls short of expectations.  

Viewed as an individualistic experience, Ugly Aur Pagli has a few interesting moments. Don't look for a story here, for it's the moments and incidents that bind this 2-hour film together. So what if the writers and director seem inspired by My Sassy Girl? Mallika Sherawat and Ranvir Shorey are enough to make you forget the wafer-thin plot at times.  

Sure, a few scenes do bring a smile on your face; they are genuinely funny and bizarre [Mallika wearing undergarments over her clothes in the college]; but there are times when the humour falls flat. You just don't react to the on-screen antics, you sit motionless while absorbing them [the futuristic stories that Mallika pens makes you break into a yawn!].  

All said, had director Sachin Khot opted for a strong story and backed it up with strong emotions [in the latter part], Ugly Aur Pagli would've made you exclaim 'Lovely'. As things stand now, Ugly Aur Pagli is below par!  

Ugly Aur Pagli  tells the story of Kabir [Ranvir Shorey], a carefree guy who has been studying engineering for the last five years and whose life goes for a sixer when he meets the quirky and kinky Kuhu [Mallika Sherawat].  

Kabir always wanted a girlfriend, but never in his wildest dreams did he ever think he would encounter a girl who could make him dance around circles, ride cycles without seats and wear high heeled ladies sandals. 

10 minutes into the film and you realize that Ugly Aur Pagli is not the usual prem kahani. Yet, you take to the over-dominating, brash woman and the timid, docile and submissive guy. In fact, you break into a smile as you are introduced to these characters. But the smile surfaces only intermittently.  

Nothing wrong with the first hour, but the second hour is problematic. Problem is, the absence of a story makes every moment look repetitive. What you've watched in the first hour is remodelled and re-presented in the second hour, with slight modifications, of course.  

Besides, the story is stretched in the second hour. Why does Mallika disappear suddenly [we're told she goes to Kolkata for two years]. Also, how does Gaurav Kapoor, the prospective groom, know Ranvir Shorey? Gaurav blurts out 10 ways to win Mallika in his first meeting itself. But the question is, why would Ranvir guide Gaurav when he's himself hopelessly in love with Mallika and has been searching for her whereabouts desperately? Clearly, the writers just didn't know how to conclude this saga!  

Debutante Sachin Khot is let down, to a major extent, by a slipshod and sloppy script. Music [Anu Malik] is another sore point. Besides 'Talli' [well rendered by Mika, Anmol Malik and Hard Kaur] and to an extent, 'Karle Gunaah', the remaining songs should be given a skip.  

Ugly Aur Pagli belongs both to Mallika and Ranvir. The best thing about Mallika is she's a complete natural. She's spunky and spirited and that's one of the reasons why this role works. And it works only because Mallika is portraying it. We doubt if any other actress would've carried off the devilish streak so well. Her emotional side is also well-captured in the concluding moment

   
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